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・ Carlo II Tocco
・ Carlo de Tocco
・ Carlo de' Medici
・ Carlo de' Medici (cardinal)
・ Carlo Del Fava
・ Carlo del Prete
・ Carlo Dell'Omodarme
・ Carlo Delle Piane
・ Carlo Denina
・ Carlo di Borgogna
・ Carlo di Castellamonte
・ Carlo Di Palma
・ Carlo Dibiasi
・ Carlo Dolci
・ Carlo Domenico del Carretto
Carlo Domeniconi
・ Carlo Donat-Cattin
・ Carlo Donato Cossoni
・ Carlo Donelli
・ Carlo Donida
・ Carlo Doria
・ Carlo Dossi
・ Carlo Duse
・ Carlo E. Lischetti
・ Carlo Ederle
・ Carlo Emanuele Buscaglia
・ Carlo Emanuele Madruzzo
・ Carlo Emanuele Muzzarelli
・ Carlo Emanuele Pio di Savoia
・ Carlo Emanuele Ruspoli, 3rd Duke of Morignano


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Carlo Domeniconi : ウィキペディア英語版
Carlo Domeniconi

Carlo Domeniconi (born 1947) is an Italian guitarist and composer known as a concert artist in both the classical and jazz idioms. Born in Cesena, Italy, he received his first instruction with Carmen Lenzi Mozzani at the age of 13. By age 17, he had received his diploma from the Rossini Conservatory in Pesaro.
In 1966, Domeniconi left Italy for West Berlin, where he studied composition at the University of Music (later The Berlin University of the Arts). He further worked at the university for 20 years as a professor.
Later, Domeniconi visited Turkey and became enamoured with its people and culture. He initiated the development of the department for guitar studies at the conservatory in Istanbul and developed a compositional style that reflected the regional folk influence.
Domeniconi possibly is most well known for his 1985 piece ''Koyunbaba''. The name is Turkish and literally translates as "sheep-father" (koyun-baba), or "shepherd." Some sources also translate it as "the spirit of the sheep". It can also refer to many other things, including a 15th-century mystical saint-like figure whose grave is decorated with coloured bits of cloth by Turkish villagers seeking his help with family problems. "Koyunbaba" is also the family name of his descendants, who still reside in the area, and the name of a wild, dry region of Southwest Turkey. According to local legend, the area is seemingly cursed – numerous people who have attempted to rent or purchase the land from the Koyunbaba family have died or fallen ill. Domeniconi has referred to two specific examples: one was a German woman who wanted to keep the area in its natural and unspoiled state, but was soon stricken with cancer. The other was one of three sons of the Koyunbaba family who suddenly sold some of the land, but then hanged himself.
==Recordings==

*Concerto di Berlinbul – Koyunbaba (1991) cover (program )
*Sindbad – Ein Märchen für Gitarre (kr 1001, Kreuzberg Records)
(mp3: Return to Baghdad )
*To Play or not to play (kr 5004, Kreuzberg Records)
*Watermusic (Carlo Domeniconi & Silvia Ocougne) (kr 1002, Kreuzberg Records)
*Movement in Circles, Chamber Music 1989–1995 (kr 10019, Kreuzberg Records)
*El trino del Diablo (kr 1004, Kreuzberg Records)
*(Selected Works I ) (met 1001, Co-production: edition ex tempore, Berlin & HOMA dream, Japan)
*(Selected Works II ) (met 1002, Co-production: edition ex tempore, Berlin & HOMA dream, Japan)
*( Selected Works I – solo guitar works, 2005 ) (met 1001)
*( Selected Works II – solo guitar works, 2005 ) (met 1002)
*( Selected Works III – Music for two guitars, 2006 ) (met 1003)
*( Selected Works IV – Chamber music, 2009 ) (met 1004)
*( Selected Works V – 25 years Koyunbaba, 2009 ) (met 1005)
*Concerto Mediterraneo (1993) op.67 (Hänssler CD 98.347, Hänssler CLASSIC)

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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